Thursday, December 04, 2008
Wednesday, December 03, 2008
GN645 .B43 2000 fol.
Tuesday, December 02, 2008
Sturzenegger and Zettelmeyer examine how each crisis developed, what the subsequent restructuring encompassed, and how investors and the defaulting country fared. They discuss the new theoretical thinking on sovereign debt and the ultimate costs entailed, for both debtor countries and private creditors. The policy debate is considered first from the perspective of policymakers in emerging market countries and then in terms of international financial architecture. The authors' surveys of legal and economic issues associated with debt crises, and of the crises themselves, are the most comprehensive to be found in the literature on sovereign debt and default, and their theoretical analysis is detailed and nuanced. The book will be a valuable resource for investors as well as for scholars and policymakers. [Description provided by the publisher]
TK5105.888 .C345 2007
NC248.H86 A4 1998
Monday, December 01, 2008
Too influential, according to some. While Rostow inspired respect and affection, he also made some powerful enemies. Averell Harriman, one of America’s most celebrated diplomats, described Rostow as “America’s Rasputin” for the unsavory influence he exerted on presidential decision-making. Rostow was the first to advise Kennedy to send U.S. combat troops to South Vietnam and the first to recommend the bombing of North Vietnam. He framed a policy of military escalation, championed recklessly optimistic reporting, and then advised LBJ against pursuing a compromise peace with North Vietnam.
David Milne examines one man’s impact on the United States’ worst-ever military defeat. It is a portrait of good intentions and fatal misjudgments. A true ideologue, Rostow believed that it is beholden upon the United States to democratize other nations and do “good,” no matter what the cost. America’s Rasputin explores the consequences of this idealistic but unyielding dogma.
ND553.P55 A4 1992
Paul Klee was a Swiss painter of German nationality. His highly individual style was influenced by many different art trends, including expressionism, cubism, and surrealism. He was a student of orientalism. Klee was a natural draftsman who experimented with and eventually mastered color theory, and wrote extensively about it. His works reflect his dry humor and his sometimes child-like perspective, his personal moods and beliefs, and his musicality. He and his friend, the Russian painter Wassily Kandinsky, were also famous for teaching at the Bauhaus school of art and architecture. ["Paul Klee." Wikipedia, The Free Encyclopedia. 1 Dec 2008, 14:22 UTC. 1 Dec 2008 <http://en.wikipedia.org/w/index.php?title=Paul_Klee&oldid=255205493>. ]
N6537.W4 W45 1989
ND853.H6 A4 1994
Tuesday, November 25, 2008
Cover art hardcover edition.
Rembrandt's Eyes shows us why Rembrandt is such a thrilling painter, so revolutionary in his art, so penetrating of the hearts of those who have looked for three hundred years at his pictures. Above all, Schama's understanding of Rembrandt's mind and the dynamic of his life allows him to re-create Rembrandt's life on the page. Through a combination of scholarship and literary skill, Schama allows us to actually see that life through Rembrandt's own eyes. In overcoming the paucity of conventional historical evidence, it is the most intelligently true biography of Rembrandt that has ever been written. [description provided by the publisher]
The Bulfinch Guide to Art History: A Comprehensive Survey and Dictionary of Western Art and Architecture
N380 .B78 1996
Caspar David Friedrich to Ferdinand Hodler: A Romantic Tradition : Nineteenth-Century Paintings and Drawings from the Oskar Reinhart Foundation
Friday, November 21, 2008
Several murals, and details of others, are reproduced here for the first time. Of special interest are works by Rivera that chart a progress from mural paintings commissioned for private spaces to those produced as a public act in a public space: Allegory of California, painted in 1930-31 at the Stock Exchange Lunch Club; Making a Fresco, Showing the Building of a City, done a few months later at the California School of Fine Arts; and Pan American Unity, painted in 1940 for the Golden Gate International Exposition.
Labor itself became a focus of the new murals: Rivera painted a massive representation of a construction worker just as San Francisco's workers were themselves organizing; Victor Arnautoff, Bernard Zakheim, John Langley Howard , and Clifford Wight painted panels in Coit Tower that acknowledged the resolve of the dockworkers striking on the streets below. Radical in technique as well, these muralists used new compositional strategies of congestion, misdirection, and fragmentation, subverting the legible narratives and coherent allegories of traditional murals.
Lee relates the development of wall painting to San Francisco's international expositions of 1915 and 1939, the new museums and art schools, corporate patronage, and the concerns of immigrants and ethnic groups. And he examines how mural painters struggled against those forces that threatened their practice: the growing acceptance of modernist easel painting, the vagaries of New Deal patronage, and a wartime nationalism hostile to radical politics. [Description provided by the publisher]
[Image: the flag of Cuba]
Thursday, November 20, 2008
Growing up in California, Craig Venter didn’t appear to have much of a future. An unremarkable student, he nearly flunked out of high school. After being drafted into the army, he enlisted in the navy and went to Vietnam, where the life and death struggles he encountered as a medic piqued his interest in science and medicine. After pursuing his advanced degrees, Venter quickly established himself as a brilliant and outspoken scientist. In 1984 he joined the National Institutes of Health, where he introduced novel techniques for rapid gene discovery, and left in 1991 to form his own nonprofit genomics research center, where he sequenced the first genome in history in 1995. In 1998 he announced that he would successfully sequence the human genome years earlier, and for far less money, than the government-sponsored Human Genome Project would— a prediction he kept in 2001.
A Life Decoded is the triumphant story of one of the most fascinating and controversial figures in science today. In his riveting and inspiring account Venter tells of the unparalleled drama of the quest for the human genome, a tale that involves as much politics (personal and political) as science. He also reveals how he went on to be the first to read and interpret his own genome and what it will mean for all of us to do the same. He describes his recent sailing expedition to sequence microbial life in the ocean, as well as his groundbreaking attempt to create synthetic life. Here is one of the key scientific chronicles of our lifetime, as told by the man who beat the odds to make it happen. [Description provided by the publisher]
In his new preface E. O. Wilson reflects on how he came to write this book: how "The Insect Societies led him to write "Sociobiology, and how the political and religious uproar that engulfed that book persuaded him to write another book that would better explain the relevance of biology to the understanding of human behavior.
Using the natural sciences as his model, Wilson forges dramatic links between fields. He explores the chemistry of the mind and the genetic bases of culture. He postulates the biological principles underlying works of art from cave-drawings to Lolita. Presenting the latest findings in prose of wonderful clarity and oratorical eloquence, and synthesizing it into a dazzling whole, Consilience is science in the path-clearing traditions of Newton, Einstein, and Richard Feynman. [Description provided by the publisher]
Bestselling author Nicholson Baker, recognized as one of the most dexterous and talented writers in America today, has created a compelling work of nonfiction bound to provoke discussion and controversy -- a wide-ranging, astonishingly fresh perspective on the political and social landscape that gave rise to World War II.
Human Smoke delivers a closely textured, deeply moving indictment of the treasured myths that have romanticized much of the 1930s and '40s. Incorporating meticulous research and well-documented sources -- including newspaper and magazine articles, radio speeches, memoirs, and diaries -- the book juxtaposes hundreds of interrelated moments of decision, brutality, suffering, and mercy. Vivid glimpses of political leaders and their dissenters illuminate and examine the gradual, horrifying advance toward overt global war and Holocaust.
Praised by critics and readers alike for his exquisitely observant eye and deft, inimitable prose, Baker has assembled a narrative within Human Smoke that unfolds gracefully, tragically, and persuasively. This is an unforgettable book that makes a profound impact on our perceptions of historical events and mourns the unthinkable loss humanity has borne at its own hand.
TK5105.8885 D79 M4 2008
Wednesday, November 19, 2008
PR6011.O58 Z64545 2007
Americans are increasingly turning to blogs for news, information, and entertainment. But what is the content of blogs? Who writes them? What is the consequence of the population’s growing dependence on blogs for political information? What are the effects of blogging? Do readers trust blogs as credible sources of information?
The volume includes quantitative and qualitative studies of the blogosphere, its contents, its authors, and its networked connections. The readers of blogs are another focus of the collection: how are blog readers different from the rest of the population? What consequences do blogs have for the lives of everyday people?Finally, the book explores the ramifications of the blog phenomenon on the future of traditional media: television, newspapers, and radio.
HM851 .B59 2007
PQ2605.A3734 Z6258 2007
Monday, November 17, 2008
Black on Black provides the first comprehensive analysis of the modern African American literary response to Africa, from W.E.B. Du Bois's The Souls of Black Folks to Alice Walker's The Color Purple.
Thursday, November 13, 2008
Gwendolyn Brooks won her first major award in 1943 at the Midwestern Writers' Conference. In addition to several other honorariums (among which are two Guggenheim awards, her appointment as Poet Laureate of Illinois, and the National Endowment for the Arts Lifetime Achievement Award), Brooks was the first African-American writer to both win the Pulitzer Prize (1949) and to be appointed to the American Academy of Arts and Letters (1976). Brooks received more than fifty honorary doctorates from colleges and universities. In 1969, the Gwendolyn Brooks Cultural Center opened on the campus of Western Illinois University. After a lifetime of proficient verse writing, Brooks died of cancer in December 2000. She was 83 years old. [SOURCE]
This first full-scale biography of one of America's premier poets, written by a leading black literary scholar, reveals the many influences that formed the background to Brook's poetic output: the Harlem Renaissance, the Chicago literary scene from the 1930s on, historical developments in black culture and consciousness, and the significant figures and activities that impressed the poet's life and art. [Description provided by the publisher]
Wednesday, November 12, 2008
Thursday, November 06, 2008
Tuesday, November 04, 2008
Elementary Teacher's Discipline Problem Solver: A Practical A-Z Guide for Managing Classroom Behavior Problems
Elementary Teacher's Discipline Problem Solver gives you the information and the down-to-earth strategies you need to handle 63 wide-ranging classroom problems including:Aggressive Behavior * Angry Outbursts * Attention Deficit * Backtalk * Bathroom Problems * Bullying * Calling Out * Cheating * Complaining * Crying Frequently * Disorganization * Disruptive Behavior * Homework Problems * Hyperactivity * Lack of Motivation * Low Self-esteem * Lunchroom Problems * Masturbation * Perfectionism * Playground Problems * Rude Behavior * Seatwork Problems * Shyness * Spitting * Talking Excessively * Teasing * Vandalism * Whining . . . and many more. [Description provided by the publisher]